film holders

film holders attach to the back of the camera body and hold the sheets of film. their purpose is to stop light getting to the film until you’re ready, to keep it perfectly flat, and to let you take more than one picture at a sitting. to help with this last point, each of the film holders we show here can take a sheet of film to a side.

you have far less flexibility with wet plate photography as each plate is simply a treated piece of metal (or glass) which has to be shot and processed within a matter of minutes…but we’re not there yet!

the film holders pictured are relatively cheap and from ebay - they’re well used but work perfectly fine. in the second image you can see the dark slide pulled back to show the slot where the film is held. the dark slide prevents any light from hitting the film until it is removed.

more about the Intrepid camera

film cameras are essentially a light-proof box with a lens on one end and film at the other. the distance between the two is what causes the image projected by the lens to be in focus on the film.

nowhere is this more obvious than with large format photography. in the case of the Intrepid camera, the distance between the film and the lens is controlled by bellows and a simple rail system. the main camera body is laminated wood and there’s little else to it.

here are a couple of images of our camera, with the film holder and ground glass removed from the back so that you can see right through to the lens.

the next thing that a camera needs to do is control the amount of light that hits the film. this is controlled by the lens and shutter, and we’ll talk a bit about that later.

wet plate

the idea to embark on this insane experiment in artisanal photography came from when i was working on a module for my degree and the wonderful Adam Clark at Yeovil College decided to show us the new camera he had just purchased. it was actually the same model that we are now working with at something borrowed, from Intrepid Cameras. there’s a portrait I took of Adam in the set below.

at the moment we are working with more traditional film chemicals that you could have bought in boots the chemist a decade ago, but wet plate is an entirely different animal and we will be posting mode details and history of that process in the future.

in the meantime, here are some of the plates that we produced in our first faltering steps towards the previous millennium.

The Intrepid Camera

As we mentioned in the first post, we have purchased an Intrepid Camera and lens. Typically, mere days after we had taken delivery, Intrepid announced an updated version of the camera! Having had a good look at the new model it doesn’t offer anything we desperately need so it’s not too distressing.

The camera

The camera itself is essentially a light-proof box with a hole at one end for the lens (which must be mounted on a lens board) and a hole at the other end for the ground glass screen and (once focussed) the film plate. The bellows allows you to move the two ends so that the lens is correctly focussed. And that’s really it!
Here’s the view from the back.

When you see pictures of people using these cameras in the field, they have a black cloth over their head - the cloth isn’t actually attached to the camera (which is what I thought) but just draped over themselves to block the light from outside as the image you see above on the screen is actually very pale and hard to see in daylight. Once the picture’s focussed, you pull the glass plate out and replace it with a film plate…more on that in another post!.